The
legendary
FANGORIA
celebrates
its
3rd
decade
as
the
world's
leading
horror
magazine.
Besides
co-running
Flamedrop
Productions,
Shadow
Realm,
inc.
and
the
South
African
HORRORFEST
Film
Festival,
Paul
Blom
is
also
a
Fangoria
contributor.
He
managed
to
get
editor
Tony
Timpone
away
from
his
blood-soaked
desk
for
a
while
to
ask
him
some
questions
about
this
genre
bastion.
How
did
you
land
the
coolest
magazine
editor
job
in
the
world?
I
first
joined
the
FANGORIA
staff
in
July
of
1985.
It
was
my
first
job
out
of
college,
although
I
had
been
freelancing
to
Fango’s
sister
publication
STARLOG
during
my
last
year
at
college.
I
began
as
an
Editorial
Assistant
to
then-Editor
David
Everitt,
who
decided
to
move
on
a
month
after
I
started.
Since
I
was
fresh
out
of
college
and
this
was
my
first
job
in
publishing,
I
was
a
little
too
green
to
take
over
the
job
myself.
So
I
served
as
the
Managing
Editor
to
Dave
McDonnell,
who
took
over
as
Editor
until
I
got
my
wings.
The
following
year,
I
was
promoted
to
Editor
in
Chief.
Since
this
was
always
my
dream
job,
I
never
wanted
to
leave
and
have
toiled
at
Fango
for
over
two
decades.
I
actually
enjoy
getting
up
in
the
morning
to
go
to
work.
Every
day
I
realize
how
fortunate
I
am
to
have
a
job
that
I
love.
Another
reason
why
I
have
stayed
on
board
is
all
the
great
opportunities
that
have
come
my
way
while
Editor.
I
helped
produce
the
first
three
FANGORIA
feature
films,
I’ve
written
and
edited
horror-related
books
(MEN,
MAKEUP
&
MONSTERS;
FANGORIA
VAMPIRES),
co-produced
and
emceed
the
Weekend
of
Horror
Conventions,
programmed
international
horror
film
festivals
and
many
other
wonderful
opportunities.
Can
you
please
give
those
not
familiar
with
Fangoria
an
overview
of
its
history
and
main
aims?
FANGORIA
was
first
launched
in
spring
1979
as
a
sister
publication
to
our
company’s
science
fiction
publication
STARLOG.
FANGORIA
was
created
as
an
annex
for
all
the
articles
that
did
not
fit
under
the
STARLOG
umbrella,
like
the
Godzilla
films,
makeup
FX
stories
and
the
new
gory
wave
of
fright
flicks
like
FRIDAY
THE
13TH
and
DAWN
OF
THE
DEAD.
The
magazine
was
envisioned
as
a
mature
examination
of
horror
in
film,
literature
and
TV,
told
in
a
mature,
revealing
and
entertaining
manner.
Knowing
from
experience,
when
it
comes
to
reviewing
movies,
music
and
games,
people
often
think
its
the
best
job
in
the
world
-
does
your
affinity
for
movies
in
the
horror
genre
sometimes
get
saturated
because
you
work
with
it
daily?
Yes,
it
does.
I
get
buried
in
DVDs,
books,
CDs
and
comics,
all
vying
for
coverage
in
the
magazine
or
our
website.
I
rarely
write
the
reviews
of
the
stuff
myself.
As
editor,
I
rather
assign
the
stuff
to
our
writers
or
staff
members.
The
stuff
that
gets
raves,
then
I
will
check
out,
plus
I
go
to
every
theatrical
horror
screening.
What's
the
biggest
scoop
of
your
career?
Magazine-wise,
getting
Stephen
King
to
write
an
article
for
FANGORIA
was
the
most
proud
moment
in
the
mag’s
30
year
history.
King’s
essay,
”What’s
Scary,”
will
appear
in
FANGORIA
#289,
on
sale
in
December
2009.
For
our
convention,
having
Jack
Nicholson
appear
and
discuss
WOLF
for
our
audience
was
a
major
coup.
What
kind
of
horror
movies
do
you
personally
like
and
who
were
you
most
thrilled
to
meet?
I
like
supernatural
and
psychological
horror
the
best,
and
monster
movies.
Films
like
THE
EXORCIST,
THE
OMEN,
ROSEMARY’S
BABY,
ALIEN,
etc.
The
people
I’ve
been
most
thrilled
to
meet
were
Nicholson,
Vincent
Price
and
Christopher
Lee.
Every
movie
genre
is
bound
by
trends,
but
do
you
think
a
specific
theme
can
get
tired
much
quicker
when
it's
horror-related?
The
slasher
trend
can
get
tired
real
fast,
and
the
recent
US
box
office
failure
of
HALLOWEEN
II
and
SORORITY
ROW
seem
to
illustrate
that
point.
I
keep
thinking
that
zombie
and
vampire
films
are
getting
tired,
but
they
show
no
sign
of
expiring
anytime
soon.
Do
you
think
movie
makers
often
try
too
hard
to
be
shocking
rather
than
really
draw
an
audience
in
and
scare
the
hell
out
of
them?
Yes,
there
is
some
truth
to
that.
For
example,
the
SAW
sequels
are
too
concerned
with
their
gruesome
torture
tableau
than
delivering
real
scares
and
coherent,
stand-alone
stories.
Same
goes
for
many
of
the
“torture
porn”
movies
like
CAPTIVITY
and
BROKEN.
Who
would
you
say
is
the
future
of
horror?
Not
sure
there
is
one
person,
but
the
people
I
am
keeping
an
eye
on
are
authors
like
Joe
King
and
Sarah
Langan,
as
well
as
filmmakers
such
as
Rob
Zombie,
Fabrice
(VINYAN)
DuWelz,
Tom
(THE
CHILDREN)
Shankland,
Dennis
(LAST
HOUSE
ON
THE
LEFT)
Iliadis,
Toby
(SPLINTER)
Wilkins
and
Ti
(HOUSE
OF
THE
DEVIL)
West,
plus
the
great
directors
coming
out
of
France
(MARTYRS’
Pascal
Laugier),
Spain
(the
REC
duo,
TIMECRIMES’
Nacho
Vigalondo)
and
Asia
(THE
GRUDGE’s
Takashi
Shimizu).
What
do
you
think
keeps
horror
movies
relevant?
When
they
are
informed
by
current
events
and
the
zeitgeist.
Like
how
28
DAYS
LATER
mirrored
concerns
over
the
bird
flu
and
other
pandemics
and
HOSTEL
and
SAW
drew
supposed
relevancy
from
the
prisoner
and
civilian
torture
that
came
out
of
the
Iraq
War.
How
has
the
internet
affected
the
magazine?
The
Internet,
and
our
website
FANGORIA.COM,
has
helped
our
magazine
dramatically.
It
has
helped
us
gain
new
subscribers
and
advertisers,
and
has
increased
our
brand’s
recognition
factor
and
visibility
immeasurably.
If
you're
not
at
the
office,
what
do
you
do
with
your
time?
I
like
to
travel,
exercise
and
watch
DVDs
and
new
movies.
We
have
a
chance
to
possibly
get
John
Landis
to
attend
our
2009
HORRORFEST
here
in
Cape
Town
-
have
you
met
him?
How
important
do
you
think
is
his
contribution
to
horror,
when
in
essence
he
is
really
a
comedic
director?
John
is
one
of
my
favorite
movie
people.
He
is
witty,
articulate,
entertaining
and
knows
how
to
tell
a
story.
He
has
an
infectious
charm.
He
is
also
a
fountain
of
knowledge,
and
I
have
always
enjoyed
the
times
I
have
met
him,
interviewed
him
and
welcomed
him
at
our
conventions.
Though
his
horror
record
is
not
overly
extensive
(SCHLOCK,
AMERICAN
WEREWOLF
IN
LONDON,
TWILIGHT
ZONE:
THE
MOVIE,
INNOCENT
BLOOD
and
MASTERS
OF
HORROR),
AMERICAN
WEREWOLF
alone
is
one
of
the
genre’s
landmark
films
and
remains
influential
to
this
day.
www.FANGORIA.com
www.HORRORFEST.info
-
Paul
Blom
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